Carcass in the Closet

The carcass dangling in the closet
dates from an earlier age
when everyone read Baudelaire.


Gutted and soaked in brine, drying
to a neutral shade of leather,
it represents the moment when


art and science concurred.
You want me to discard it
after many years of toting it


house to house all over
New England. You claim decadence
has lost its cache, replaced


by ugly populist politics.
I had hoped to finance retirement
by selling this well-cured hide


to a museum of the grotesque.
But in the age of pandemic
most small museums have closed


forever, their collections looted
and sold on eBay for bitcoins.
You claim to recognize this corpse.


Yes, he was famous in his day,
and won an Oscar for his role
as Abraham tending his flock


on screens as wide as billboards.
No disrespect intended but
when I found him dead on my lawn


the profit motive engulfed me.
Alright, I’ll forgo the money
and bury him in the back yard


and hope he doesn’t get restless.
You notice how sweet he smells?

 

Death must have come so gently


that his organs hardly noticed.
And now his empty skin-sack
has toughened into the softest suede


so that someone elegant, like you,
could fashion him into a coat,
if you don’t mind a little haunting.

William Doreski lives in Peterborough, New Hampshire. His most recent book of poetry is

Mist in Their Eyes (2021). He has published three critical studies, including Robert Lowell’s Shifting Colors. His essays, poetry, fiction, and reviews have appeared in many journals.